Tuesday, August 30, 2011

Amaro as a Cocktail Frontman: Sexy, Soulful, and Spirited


Click here to read this feature on StarChefs.com


Amore, Amari

by Jessica Dukes
 Antoinette Bruno, Shannon Sturgis, and Jessica Dukes
August 2011


Amaro Cocktails

Refreshing flavors of menthol and bitter bark unite in this original, látte-hued drink; the addition of soda lift the vermouth and Fernet to the frothy top of a Collins glass.

The toasted hazelnut orgeat imparts a nutty flavor that pairs well the bitter herbal cut from the Fernet—a growl from the ginger syrup and bright lemon seal the deal.
MIXOLOGIST NOTES: In San Francisco, where Teague and the San Francisco Chronicle contend that more Fernet is drunk per capita than anywhere else in the country, Fernet with a ginger beer chaser is de rigueur. Teague’s days as a chef inspired him to prepare potent ginger syrup to mirror this old SF custom in the Bitter Spring. When Teague helmed the bar at Rye in Williamsburg, with its 80 seats and a bustling kitchen, building layers of flavor through swizzling was too time costly. So a determined Teague added the drink straight from the shaker and scooped a domed lid of crushed ice on top. Finished with Peychaud’s, the drink fans a waft of cinnamon at the lucky partaker with every sip.

Clean and refreshing. For Papa lovers (though ironically, he was reported to have had a strong aversion to Fernet Branca.): the Fernet float recallsFor Whom the Bell Tolls while the white rum is a quaffable dog-eared copy of Old Man and the Sea.
MIXOLOGIST NOTES: “I was noticing that we sell a lot of Fernet but are not using it in cocktails, so I began going through drinks in my mind that would work well with Fernet. I drink Fernet and grapefruit juice straight up and think it is amazing because of the heavy amounts of chamomile, cardamom, saffron, and quinine.  All of these flavors work amazingly well with gin and so bang: this lovely new version of a Hemingway was born.” 

A creamy, dimpled-cheeked drink, whose baby-fat is cut with a nice bitter finish, aided by the egg white.
MIXOLOGIST NOTES: “This is pretty much a daily choice that somebody asked for a few years ago. I was making classic sours with amaros. Amaro is a full, complete flavor in itself, and I just thought that Luxardo bitters would make it on its own.”

Simple, clean, and elegant.
MIXOLOGIST NOTES: This is truly an aperitif cocktail—equal parts amari to whisky; it is more about the amari, about the interplay between two distinct Italian bitters, Campari with its bright and bitter orange flavors on one end and the dark and rich Ramazzotti with its rich, cola-like flavors on the other—the whisky is just for good measure.
The smokiness of this drink, aided by the oak chips and the mezcal, is enhanced by the sturdy, herbal amaro. This is a drink that changes over time, thanks to the smoked ice cube.
Smooth, cool, and complex, with a touch of salt that integrates with the pungent licorice of the Fernet Branca. At oyster den Maison Premiere, it makes the perfect second act to a platter of dainty Beausoleils.

Maybe the reason why so many bartenders love amari so much is because half of us are sick in the head.” Mixologist Stephen Cole, formerly of Violet Hour – Chicago, IL

Sweden has its Jeppson’s Mälort, Spain its Aguardiente de Orujo—heck, Austria even has its Jägermeister. For centuries, they’ve been served neat at the end of a meal (or in Jägermeister’s case, at frat parties). In any tiny town, in any lonesome old man’s bar in Europe, you can probably find a locally produced bottle in the same vein. But walk into one of these bars and request a whisky cocktail prepared with schnapps or a licor de hierbas, and the barman will be waving people over just to look at you, you crazy person.
Amaro Santa Maria al Monte
Amaro Santa Maria al Monte
Bitter spirits have buttressed cocktails since the first Negroni was reportedly strained in a Florentine café in 1919. But lately we’ve noticed more mixologists featuring Campari’s after-dinner cousinamaro in their recipes. And in many cases, amaro drives the drink. It’s like when The Band stepped out from behind Bob Dylan. Two ounces of Fernet Branca as the primary in a cocktail? Yeah.
Suddenly, vermouth, whisky, rum, gin, tequila and even mezcal are ceding a little extra stage to these heavy-duty (personified, most of them would almost certainly be moustachioed) spirits.
Scorched Earth from Benjamin Schiller in Chicago features tequila, mezcal, and amaro
Scorched Earth from Benjamin Schiller in Chicago features tequila, mezcal, and amaro
“If you want to get on your bartender’s good side, order a shot of Fernet.” – Jeremy Strawn of The Mulberry Project – New York, NY

The ornately-labeled bottles of bitter spirits,amari to the Italian, cast a visual allure— recalling hideaway villages and promising jealously guarded proprietary recipes. From slapped-cheek red to prehistoric amber and dark sticky tobacco, each portends some secret and exotic flavor profile.
Ace mixologist Kelley Swenson of June in Portland, Oregon, sees a mission in a dusky bottle whose ingredients “on their own can be bitter and ultimately unpalatable.” To Swenson, “The end result of well-crafted amari is a totally balanced presentation of wild barks and botanicals. In many ways an amaro recipe has the same inherent mission as a cocktail recipe: take something unusually strong and exotic and make it balanced, palatable, and delicious.” 

Monk’s Tonic

Oil-slick dark, 90 proof and with a menthol bite, Fernet Branca isn’t just the bartender’s handshake—it’s an amaro digestivo. Salerno monks studying medicine in the 12th century sought to stretch the value of precious cargo from the spice trade and impart its mystery to ease queasiness and other piteous medieval ailments. They macerated the spices with a locally foraged potpourri of roots, herbs, citrus rinds, and wildflowers in a neutral spirit. Aged in bottles or barrels, the resulting shelf-stable herbal liquor had a bitter, medicinal edge and an intricate, aromatic nose. Apothecaries carried on the technique in the 19th century, eventually leading to commercialization, Campari, and other palate-opening aperitivos the likes of spritz-friendly Aperol.

Amaro or What?

Naturally, modern-day mixologists with a witchy bent are helplessly smitten before the myriad slew of bitter brews on offer. Concoctions of the Italian variety lead the pack in availability in the United States and tradition of craftsmanship, from Sicily’s sunny and warming Averna to Liguria’s thorny, herbaceous Santa Maria al Monte.
Apple-cheeked examples (like the jester-loving Campari brand) are lighter in body and lower in alcohol content than their darker siblings, and are often better suited to just before a meal. But Campari, Aperol and even goldilocks, artichoke-based Cynar (technically an aperitivo at 17.5% alcohol by volume) differ from subtly bitter aperitíf wines.
Cocchi Americano and Vergano Americano are popular examples ofchinato, an Italian vermouth that features quinine (bark from the cinchona tree)—the better to pucker with. There are plenty of examples of bitter-ish vermouths in Europe (think France’s Bonal Quinquina). But fortified wines, unlike amari, are volatile (and are best stored in the fridge). So they’re different, but beyond chemistry, it’s dealer’s choice. Chicago drinks-encyclopedia Paul McGee of The Whistler wields both chinati and amari in his drinks, basing decisions on viscosity, level of bitterness, alcohol content, and principle: “If I make a Manhattan, I‘ll stick with a wine-based spirit, just to stay in the same tradition of vermouths.”

The Full Package

The Torino Julep from Natasha David in Brooklyn
The Torino Julep from Natasha David in Brooklyn
“Using amari as a base spirit allows you to explore the boundaries of classic cocktail frameworks, and challenges you to work with complex flavors.” Maks Pazuniak, co-author of rogue cocktails and beta cocktails, and bartender at Maison Premiere - Brooklyn, NY

As with love, as with booze: it’s the complexity that draws some in. Sensuous flavor profiles range from pithy citrus to chamomile and saffron, heady cardamom to cottony yellow gentian, to vegetal flavors of rhubarb and beet molasses, and on and on. The variety of flavor profiles and textures on offer lends itself to cross-seasonality, both as a refreshing antidote to the last hot days of summer or a warming dram on a crisp fall evening. Throw in your own witty banter and a little smooch-y amore for Roman Holiday in a Collins glass.
“Amaros are kind of the full package; they’ve got some sweet, bitter, acidity—plus they’re all totally different,” waxes Cole. A dozen unknown ingredients distilled in a sip become a patter of feet echoing behind crumbling ancient walls. Or, conversely, feels like"getting punched squarely in the nose while sucking on a mentholated cough drop."
Is it possible to be both romantic … and tough? Actually, it sounds like the ideal frontman.

Tuesday, August 16, 2011

Quickmeals Gourmet Recipes from StarChefs.com

MONDAY
Peach, Corn and Arugula Salad by Chef Jason Knibb of Nine-Ten - San Diego, CA
The peppery bite of the arugula in this cold salad contrasts with the sweet flesh of the peach, whose delicate texture in turn contrasts with the crunch of the sweet corn. The qualities of each ingredient are thrown into sharper contrast and highlighted like the foils of theater. Throw in a few slices of anise-scented fennel and you have a summertime Shakespeare festival in one dish.
Chef Jason Knibb's recipe

TUESDAY
Cucumber and Tomato Gazpacho with Sautéed Shrimp by Chef Drew Van Leuvan of One Midtown Kitchen - Atlanta, GA
Summer in Spain is nothing without gazpacho. Fresh raw tomatoes, bell peppers, cucumbers, and onions make the base for the classic version of this soup, which is best served chilled. Chef Van Leuvan's take on this summery sopa is a little something different—his tomatoes are stewed for deeper flavor.
Chef Drew Van Leuvan's recipe

WEDNESDAY
Summer Squash Salad with Green Peppercorn Vinaigrette by Chef Deepak Kaul of Serpentine - San Francisco, CA
Take simply sliced vegetables and add Chef Deepak Kaul's characteristic swirl of mood-lifting flavors, textures, and colors. A piquant vinaigrette combines sweetness and heat with honey, clove, and brined green peppercorns. Add fresh torn mint and parsley to round out the bright flavors.
Chef Deepak Kaul's recipe

THURSDAY
Roasted Pork Chops with Bacon, Escarole, Peaches, Maple Verjus, and Pecans by Chef Glenn Babcock of Nage Bistro - Washington, DC
Chef Babcock combines sautéed peaches and bacon with a maple-verjus sauce in this succulent back porch crowd-pleaser. Peaches peak at mid-summer—so take advantage while you can. Fresh peaches will feel firm, have a pink background color with no visible green, and smell like pure goodness!
Chef Glenn Babcock's recipe

FRIDAY
Pan-Seared Red Snapper with Tomato Salad by Chef Jeremy Spector of The Brindle Room - New York, NY
For this Friday show-stopper, simplicity is what it's all about. What could be more fit for a high-summer's eve than a fresh tomato salad, simply prepared, and seared red snapper? Toast to the pleasures of the Mediterranean diet with a glass of sparkling rosé.
Chef Jeremy Spector's recipe

Wednesday, August 10, 2011

Tempering Chocolate Aggression at Morimoto



Click here to read this feature on StarChefs.com


Carving Chocolate

by Jessica Dukes
 Antoinette Bruno  Jessica Dukes


August 2011
Nobody knows presentation like a Japanese chef. And Pastry Chef Manabu Inoue knows how to elicit a chorus of "oohs" and "aahs" from any table at Morimoto in Chelsea. His desserts regularly inspire gratitude on the part of the diner at their very delivery. They also function to transition diners authentically from savory to sweet (even when Western-inspired riffs on cheesecake and sundaes make appearances) by adhering to the Japanese philosophy so evident at Chef Masaharu Morimoto's eponymous establishments: each component in the dining experience is a gift presented by the host to the guest.
Inoue’s Salty Caramel Ganache, Chocolate Sable, Cacao Nib Tuile, Dark Chocolate Sorbet, and Dark Chocolate Globe could be mistaken for a jewelry box. Like a candy bar fit for a penthouse (gold leaf “wrapper” included), the dish layers crunchy, smooth, and chewy textures into an architectural celebration of chocolate—informed by Inoue's globe-trotting pastry background and a confessed chocolate obsession.
To house the dessert, Inoue fashions a chocolate shell—a visual cross between a birdcage and a disco ball—by tempering chocolate and pouring it into a spherical mold. After the chocolate hardens, he uses tools to push holes of various sizes through the (extremely) delicate chocolate shell. He then fastens one half of the globe to the plate using a little tempered chocolate and cold spray. After resting his multi-tiered sweet gently (very gently) inside the shell, he (holding his breath) affixes the two hemispheres of the globe together.
The technique requires patience and precision, and a temperament for chocolate. As Inoue says, his biggest problem working with chocolate is struggling to maintain cool temperatures in a busy kitchen. His tip is to work during the early hours of the morning in the unobstructed quiet and uninterrupted cool of a kitchen at rest. Though the labor involved is considerable, Inoue’s sculpted edible gift never fails to turn heads in the dining room.

Thursday, August 4, 2011

Chalk It Up to Character: Survey Results Show Chefs Want to Teach

Click here to read this feature on StarChefs.com 

Chalk It Up to Character: Survey Results Show Chefs Want to Teach

by Jessica Dukes
August 2011



Michelle Obama, Sam Kass, and kids at the launch of Chefs Move to Schools at the White House, May 2010
When we recently partnered with the School Nutrition Association (SNA) to support Michelle Obama’s Chefs Move to Schools initiative, it only partly had to do with our enduring crush on the First Lady.
Admittedly, she had us at, “Hello, chefs.”  But what really lit our pilot light back in May of 2010 was Ms. Obama’s call for kitchen-folk to lend a hand in guiding America’s youth toward a healthier future. We know that chefs are a hardworking, committed, and passionate bunch, and it doesn’t take a leap of faith to imagine their tough, resilient, asbestos-proofed hands steering us away from an epidemic in unhealthy food choices. Who better than chefs to push kids toward roast chicken and braised kale and away from disposable food containers?

Chef Todd Gray inspects his sous chefs’ work
In support of Barack’s better half and the idea that kids deserve an alternative to refined sugar and monounsaturated fats, we wanted feedback from our readers on how best to get chefs into schools. And as bait (or a reward for charitable behavior), survey participants were automatically entered to win the complete (ultra-complete, in all its 43 pounds), six-volume edition of Modernist Cuisine by Dr. Nathan Myhrvold, Chef Chris Young, and Chef Maxime Bilet, provided by Winston Industries. Stay tuned on Twitter for the announcement of our winner!

Chefs at the Chalkboard (and the Lunchline)

Chefs are an active bunch and apparently not just behind the line (or carousing after work). Of our respondents, 48 percent already volunteer, whether by lending their culinary support at church or giving time to the local soup kitchen and to nonprofit charities like Share Our Strength, Recipe for Success, Meals on Wheels, and yes, Chefs Move to Schools. Charitable activity has its rewards, even professionally, but in an industry when 16-hour days are the norm, we’re pleased to see the trend in community involvement still going strong.

Chefs Tom Colicchio and Paul Kahan school kids on trimming cauliflower
Of those polled, 73 percent of chefs see themselves front and center in schools giving hands-on demonstrations, preferring to strut their stuff in lieu of lecturing or leading other forms of classroom instruction. Most respondents indicate that they are better prepared to share their time during the school day, rather than after school hours, when many restaurant professionals are on active duty.
Many survey takers call for fundamental changes in school lunches, and 89 percent of those surveyed express an interest in working with the school foodservice program. Among the throng of voices, there is an audible cry for locavorism in the cafeteria. Brainstorming new avenues of nutritional advancement, some suggest reorganizing school curriculums, making The Omnivore’s Dilemma required reading, or incorporating food awareness lessons into subjects like arithmetic and chemistry.

Field Trip! Beyond the Classroom


Chef Marcus Samuelsson and kids
Chefs aren’t limiting themselves to the four walls of the classroom; 65 percent of the culinary professionals who responded say that they are interested in advocacy efforts on government food policy. And 92 percent of chefs like the idea of teaching nutrition-based cooking to parents as part of a school-outreach program.
The largest majority of chef respondents want to lead “know your farmer” workshops. And a whopping 99 percent of those polled feel that farmers and kids are a natural fit, advocating for gardening classes, participation with local livestock farms, and lessons on seasonality. Chefs with the adventurous spirit even propose leading foraging expeditions.

Chefs Michael Nischan, Paul Kahan, and crew
We may have already known that chefs love farmers and seasonality and communicating their passion for food, but we are inspired nonetheless by their unequivocally high level of enthusiasm for nutritional education in schools. Faced with the plethora of volunteering options, one chef sums up an attitude that many share: “I would love to do all of these things and will probably look into it after doing this survey.”
Here’s hoping that the eager survey-taker mentioned above makes the time to give back (you know who you are!), and that Michelle (sigh!) gets her wish, the number of chefs in schools continues to grow, and kids benefit with healthier choices and a stronger foundation in food awareness. Class charcuterie project, anyone?