Tuesday, August 30, 2011

Amaro as a Cocktail Frontman: Sexy, Soulful, and Spirited


Click here to read this feature on StarChefs.com


Amore, Amari

by Jessica Dukes
 Antoinette Bruno, Shannon Sturgis, and Jessica Dukes
August 2011


Amaro Cocktails

Refreshing flavors of menthol and bitter bark unite in this original, látte-hued drink; the addition of soda lift the vermouth and Fernet to the frothy top of a Collins glass.

The toasted hazelnut orgeat imparts a nutty flavor that pairs well the bitter herbal cut from the Fernet—a growl from the ginger syrup and bright lemon seal the deal.
MIXOLOGIST NOTES: In San Francisco, where Teague and the San Francisco Chronicle contend that more Fernet is drunk per capita than anywhere else in the country, Fernet with a ginger beer chaser is de rigueur. Teague’s days as a chef inspired him to prepare potent ginger syrup to mirror this old SF custom in the Bitter Spring. When Teague helmed the bar at Rye in Williamsburg, with its 80 seats and a bustling kitchen, building layers of flavor through swizzling was too time costly. So a determined Teague added the drink straight from the shaker and scooped a domed lid of crushed ice on top. Finished with Peychaud’s, the drink fans a waft of cinnamon at the lucky partaker with every sip.

Clean and refreshing. For Papa lovers (though ironically, he was reported to have had a strong aversion to Fernet Branca.): the Fernet float recallsFor Whom the Bell Tolls while the white rum is a quaffable dog-eared copy of Old Man and the Sea.
MIXOLOGIST NOTES: “I was noticing that we sell a lot of Fernet but are not using it in cocktails, so I began going through drinks in my mind that would work well with Fernet. I drink Fernet and grapefruit juice straight up and think it is amazing because of the heavy amounts of chamomile, cardamom, saffron, and quinine.  All of these flavors work amazingly well with gin and so bang: this lovely new version of a Hemingway was born.” 

A creamy, dimpled-cheeked drink, whose baby-fat is cut with a nice bitter finish, aided by the egg white.
MIXOLOGIST NOTES: “This is pretty much a daily choice that somebody asked for a few years ago. I was making classic sours with amaros. Amaro is a full, complete flavor in itself, and I just thought that Luxardo bitters would make it on its own.”

Simple, clean, and elegant.
MIXOLOGIST NOTES: This is truly an aperitif cocktail—equal parts amari to whisky; it is more about the amari, about the interplay between two distinct Italian bitters, Campari with its bright and bitter orange flavors on one end and the dark and rich Ramazzotti with its rich, cola-like flavors on the other—the whisky is just for good measure.
The smokiness of this drink, aided by the oak chips and the mezcal, is enhanced by the sturdy, herbal amaro. This is a drink that changes over time, thanks to the smoked ice cube.
Smooth, cool, and complex, with a touch of salt that integrates with the pungent licorice of the Fernet Branca. At oyster den Maison Premiere, it makes the perfect second act to a platter of dainty Beausoleils.

“Maybe the reason why so many bartenders love amari so much is because half of us are sick in the head.” Mixologist Stephen Cole, formerly of Violet Hour – Chicago, IL

Sweden has its Jeppson’s Mälort, Spain its Aguardiente de Orujo—heck, Austria even has its Jägermeister. For centuries, they’ve been served neat at the end of a meal (or in Jägermeister’s case, at frat parties). In any tiny town, in any lonesome old man’s bar in Europe, you can probably find a locally produced bottle in the same vein. But walk into one of these bars and request a whisky cocktail prepared with schnapps or a licor de hierbas, and the barman will be waving people over just to look at you, you crazy person.
Amaro Santa Maria al Monte
Amaro Santa Maria al Monte
Bitter spirits have buttressed cocktails since the first Negroni was reportedly strained in a Florentine café in 1919. But lately we’ve noticed more mixologists featuring Campari’s after-dinner cousinamaro in their recipes. And in many cases, amaro drives the drink. It’s like when The Band stepped out from behind Bob Dylan. Two ounces of Fernet Branca as the primary in a cocktail? Yeah.
Suddenly, vermouth, whisky, rum, gin, tequila and even mezcal are ceding a little extra stage to these heavy-duty (personified, most of them would almost certainly be moustachioed) spirits.
Scorched Earth from Benjamin Schiller in Chicago features tequila, mezcal, and amaro
Scorched Earth from Benjamin Schiller in Chicago features tequila, mezcal, and amaro
“If you want to get on your bartender’s good side, order a shot of Fernet.” – Jeremy Strawn of The Mulberry Project – New York, NY

The ornately-labeled bottles of bitter spirits,amari to the Italian, cast a visual allure— recalling hideaway villages and promising jealously guarded proprietary recipes. From slapped-cheek red to prehistoric amber and dark sticky tobacco, each portends some secret and exotic flavor profile.
Ace mixologist Kelley Swenson of June in Portland, Oregon, sees a mission in a dusky bottle whose ingredients “on their own can be bitter and ultimately unpalatable.” To Swenson, “The end result of well-crafted amari is a totally balanced presentation of wild barks and botanicals. In many ways an amaro recipe has the same inherent mission as a cocktail recipe: take something unusually strong and exotic and make it balanced, palatable, and delicious.” 

Monk’s Tonic

Oil-slick dark, 90 proof and with a menthol bite, Fernet Branca isn’t just the bartender’s handshake—it’s an amaro digestivo. Salerno monks studying medicine in the 12th century sought to stretch the value of precious cargo from the spice trade and impart its mystery to ease queasiness and other piteous medieval ailments. They macerated the spices with a locally foraged potpourri of roots, herbs, citrus rinds, and wildflowers in a neutral spirit. Aged in bottles or barrels, the resulting shelf-stable herbal liquor had a bitter, medicinal edge and an intricate, aromatic nose. Apothecaries carried on the technique in the 19th century, eventually leading to commercialization, Campari, and other palate-opening aperitivos the likes of spritz-friendly Aperol.

Amaro or What?

Naturally, modern-day mixologists with a witchy bent are helplessly smitten before the myriad slew of bitter brews on offer. Concoctions of the Italian variety lead the pack in availability in the United States and tradition of craftsmanship, from Sicily’s sunny and warming Averna to Liguria’s thorny, herbaceous Santa Maria al Monte.
Apple-cheeked examples (like the jester-loving Campari brand) are lighter in body and lower in alcohol content than their darker siblings, and are often better suited to just before a meal. But Campari, Aperol and even goldilocks, artichoke-based Cynar (technically an aperitivo at 17.5% alcohol by volume) differ from subtly bitter aperitíf wines.
Cocchi Americano and Vergano Americano are popular examples ofchinato, an Italian vermouth that features quinine (bark from the cinchona tree)—the better to pucker with. There are plenty of examples of bitter-ish vermouths in Europe (think France’s Bonal Quinquina). But fortified wines, unlike amari, are volatile (and are best stored in the fridge). So they’re different, but beyond chemistry, it’s dealer’s choice. Chicago drinks-encyclopedia Paul McGee of The Whistler wields both chinati and amari in his drinks, basing decisions on viscosity, level of bitterness, alcohol content, and principle: “If I make a Manhattan, I‘ll stick with a wine-based spirit, just to stay in the same tradition of vermouths.”

The Full Package

The Torino Julep from Natasha David in Brooklyn
The Torino Julep from Natasha David in Brooklyn
“Using amari as a base spirit allows you to explore the boundaries of classic cocktail frameworks, and challenges you to work with complex flavors.” Maks Pazuniak, co-author of rogue cocktails and beta cocktails, and bartender at Maison Premiere - Brooklyn, NY

As with love, as with booze: it’s the complexity that draws some in. Sensuous flavor profiles range from pithy citrus to chamomile and saffron, heady cardamom to cottony yellow gentian, to vegetal flavors of rhubarb and beet molasses, and on and on. The variety of flavor profiles and textures on offer lends itself to cross-seasonality, both as a refreshing antidote to the last hot days of summer or a warming dram on a crisp fall evening. Throw in your own witty banter and a little smooch-y amore for Roman Holiday in a Collins glass.
“Amaros are kind of the full package; they’ve got some sweet, bitter, acidity—plus they’re all totally different,” waxes Cole. A dozen unknown ingredients distilled in a sip become a patter of feet echoing behind crumbling ancient walls. Or, conversely, feels like"getting punched squarely in the nose while sucking on a mentholated cough drop."
Is it possible to be both romantic … and tough? Actually, it sounds like the ideal frontman.

Tuesday, August 16, 2011

Quickmeals Gourmet Recipes from StarChefs.com

MONDAY
Peach, Corn and Arugula Salad by Chef Jason Knibb of Nine-Ten - San Diego, CA
The peppery bite of the arugula in this cold salad contrasts with the sweet flesh of the peach, whose delicate texture in turn contrasts with the crunch of the sweet corn. The qualities of each ingredient are thrown into sharper contrast and highlighted like the foils of theater. Throw in a few slices of anise-scented fennel and you have a summertime Shakespeare festival in one dish.
Chef Jason Knibb's recipe

TUESDAY
Cucumber and Tomato Gazpacho with Sautéed Shrimp by Chef Drew Van Leuvan of One Midtown Kitchen - Atlanta, GA
Summer in Spain is nothing without gazpacho. Fresh raw tomatoes, bell peppers, cucumbers, and onions make the base for the classic version of this soup, which is best served chilled. Chef Van Leuvan's take on this summery sopa is a little something different—his tomatoes are stewed for deeper flavor.
Chef Drew Van Leuvan's recipe

WEDNESDAY
Summer Squash Salad with Green Peppercorn Vinaigrette by Chef Deepak Kaul of Serpentine - San Francisco, CA
Take simply sliced vegetables and add Chef Deepak Kaul's characteristic swirl of mood-lifting flavors, textures, and colors. A piquant vinaigrette combines sweetness and heat with honey, clove, and brined green peppercorns. Add fresh torn mint and parsley to round out the bright flavors.
Chef Deepak Kaul's recipe

THURSDAY
Roasted Pork Chops with Bacon, Escarole, Peaches, Maple Verjus, and Pecans by Chef Glenn Babcock of Nage Bistro - Washington, DC
Chef Babcock combines sautéed peaches and bacon with a maple-verjus sauce in this succulent back porch crowd-pleaser. Peaches peak at mid-summer—so take advantage while you can. Fresh peaches will feel firm, have a pink background color with no visible green, and smell like pure goodness!
Chef Glenn Babcock's recipe

FRIDAY
Pan-Seared Red Snapper with Tomato Salad by Chef Jeremy Spector of The Brindle Room - New York, NY
For this Friday show-stopper, simplicity is what it's all about. What could be more fit for a high-summer's eve than a fresh tomato salad, simply prepared, and seared red snapper? Toast to the pleasures of the Mediterranean diet with a glass of sparkling rosé.
Chef Jeremy Spector's recipe

Wednesday, August 10, 2011

Tempering Chocolate Aggression at Morimoto



Click here to read this feature on StarChefs.com


Carving Chocolate

by Jessica Dukes
 Antoinette Bruno  Jessica Dukes


August 2011
Nobody knows presentation like a Japanese chef. And Pastry Chef Manabu Inoue knows how to elicit a chorus of "oohs" and "aahs" from any table at Morimoto in Chelsea. His desserts regularly inspire gratitude on the part of the diner at their very delivery. They also function to transition diners authentically from savory to sweet (even when Western-inspired riffs on cheesecake and sundaes make appearances) by adhering to the Japanese philosophy so evident at Chef Masaharu Morimoto's eponymous establishments: each component in the dining experience is a gift presented by the host to the guest.
Inoue’s Salty Caramel Ganache, Chocolate Sable, Cacao Nib Tuile, Dark Chocolate Sorbet, and Dark Chocolate Globe could be mistaken for a jewelry box. Like a candy bar fit for a penthouse (gold leaf “wrapper” included), the dish layers crunchy, smooth, and chewy textures into an architectural celebration of chocolate—informed by Inoue's globe-trotting pastry background and a confessed chocolate obsession.
To house the dessert, Inoue fashions a chocolate shell—a visual cross between a birdcage and a disco ball—by tempering chocolate and pouring it into a spherical mold. After the chocolate hardens, he uses tools to push holes of various sizes through the (extremely) delicate chocolate shell. He then fastens one half of the globe to the plate using a little tempered chocolate and cold spray. After resting his multi-tiered sweet gently (very gently) inside the shell, he (holding his breath) affixes the two hemispheres of the globe together.
The technique requires patience and precision, and a temperament for chocolate. As Inoue says, his biggest problem working with chocolate is struggling to maintain cool temperatures in a busy kitchen. His tip is to work during the early hours of the morning in the unobstructed quiet and uninterrupted cool of a kitchen at rest. Though the labor involved is considerable, Inoue’s sculpted edible gift never fails to turn heads in the dining room.

Thursday, August 4, 2011

Chalk It Up to Character: Survey Results Show Chefs Want to Teach

Click here to read this feature on StarChefs.com 

Chalk It Up to Character: Survey Results Show Chefs Want to Teach

by Jessica Dukes
August 2011



Michelle Obama, Sam Kass, and kids at the launch of Chefs Move to Schools at the White House, May 2010
When we recently partnered with the School Nutrition Association (SNA) to support Michelle Obama’s Chefs Move to Schools initiative, it only partly had to do with our enduring crush on the First Lady.
Admittedly, she had us at, “Hello, chefs.”  But what really lit our pilot light back in May of 2010 was Ms. Obama’s call for kitchen-folk to lend a hand in guiding America’s youth toward a healthier future. We know that chefs are a hardworking, committed, and passionate bunch, and it doesn’t take a leap of faith to imagine their tough, resilient, asbestos-proofed hands steering us away from an epidemic in unhealthy food choices. Who better than chefs to push kids toward roast chicken and braised kale and away from disposable food containers?

Chef Todd Gray inspects his sous chefs’ work
In support of Barack’s better half and the idea that kids deserve an alternative to refined sugar and monounsaturated fats, we wanted feedback from our readers on how best to get chefs into schools. And as bait (or a reward for charitable behavior), survey participants were automatically entered to win the complete (ultra-complete, in all its 43 pounds), six-volume edition of Modernist Cuisine by Dr. Nathan Myhrvold, Chef Chris Young, and Chef Maxime Bilet, provided by Winston Industries. Stay tuned on Twitter for the announcement of our winner!

Chefs at the Chalkboard (and the Lunchline)

Chefs are an active bunch and apparently not just behind the line (or carousing after work). Of our respondents, 48 percent already volunteer, whether by lending their culinary support at church or giving time to the local soup kitchen and to nonprofit charities like Share Our Strength, Recipe for Success, Meals on Wheels, and yes, Chefs Move to Schools. Charitable activity has its rewards, even professionally, but in an industry when 16-hour days are the norm, we’re pleased to see the trend in community involvement still going strong.

Chefs Tom Colicchio and Paul Kahan school kids on trimming cauliflower
Of those polled, 73 percent of chefs see themselves front and center in schools giving hands-on demonstrations, preferring to strut their stuff in lieu of lecturing or leading other forms of classroom instruction. Most respondents indicate that they are better prepared to share their time during the school day, rather than after school hours, when many restaurant professionals are on active duty.
Many survey takers call for fundamental changes in school lunches, and 89 percent of those surveyed express an interest in working with the school foodservice program. Among the throng of voices, there is an audible cry for locavorism in the cafeteria. Brainstorming new avenues of nutritional advancement, some suggest reorganizing school curriculums, making The Omnivore’s Dilemma required reading, or incorporating food awareness lessons into subjects like arithmetic and chemistry.

Field Trip! Beyond the Classroom


Chef Marcus Samuelsson and kids
Chefs aren’t limiting themselves to the four walls of the classroom; 65 percent of the culinary professionals who responded say that they are interested in advocacy efforts on government food policy. And 92 percent of chefs like the idea of teaching nutrition-based cooking to parents as part of a school-outreach program.
The largest majority of chef respondents want to lead “know your farmer” workshops. And a whopping 99 percent of those polled feel that farmers and kids are a natural fit, advocating for gardening classes, participation with local livestock farms, and lessons on seasonality. Chefs with the adventurous spirit even propose leading foraging expeditions.

Chefs Michael Nischan, Paul Kahan, and crew
We may have already known that chefs love farmers and seasonality and communicating their passion for food, but we are inspired nonetheless by their unequivocally high level of enthusiasm for nutritional education in schools. Faced with the plethora of volunteering options, one chef sums up an attitude that many share: “I would love to do all of these things and will probably look into it after doing this survey.”
Here’s hoping that the eager survey-taker mentioned above makes the time to give back (you know who you are!), and that Michelle (sigh!) gets her wish, the number of chefs in schools continues to grow, and kids benefit with healthier choices and a stronger foundation in food awareness. Class charcuterie project, anyone?

Thursday, July 14, 2011

Chicago Restaurant Pastry Competition Announces Finalists


Click here to read this feature on StarChefs.com


Chicago Restaurant Pastry Competition Announces Finalists


  • A Jimmy MacMillan pastry inspired by Cherry Lime Soda: Vanilla Custard, Tarakan Cake, and Shiso-Lime Infused Sweet Cherries
    A Jimmy MacMillan pastry inspired by Cherry Lime Soda: Vanilla Custard, Tarakan Cake, and Shiso-Lime Infused Sweet Cherries
    photo: Anthony Tahlier
    These days, the land of Oprah, Obama, online ticket sales à la Achatz, and goat-loving girls—yes, we’re talking Chicago—dispatches food news with increasing frequency. As a result, chefs from coast to coast have no recourse but to come to terms with a bad case of L-train envy. The icing on the cake? Word has it a new generation of Silpat-slinging sweetsmiths is preparing to take center stage.
    You may already be familiar with Chicago’s new pastry crowd. But come October 16, these sugar-hopped fiends of the pastry arts will face off in a duel designed to push the candy bar even higher.

    CRPC co-founders Michael Joy and Jimmy MacMillan
    CRPC co-founders Michael Joy and Jimmy MacMillan
    photo: Anthony Tahlier


    Pastry Chef Jimmy MacMillan of JMPUREPASTRY, a StarChefs.com 2011 Chicago Rising Star Pastry Chef, has spearheaded the First Annual Chicago Restaurant Pastry Competition to showcase Chicago’s rich talent. “It’s about innovation and creativity, which I think are hallmarks of Chicago pastry chefs, and I want to blast that out to the whole world,”says MacMillan.
    MacMillan worked closely with Michael Joy, founder for the Chicago School of Mold Making, to design the competition. Local young culinary leaders, including Chef Curtis Duffy ofAvenues and Pastry Chef and Instructor Della Gosset of The French Pastry School, will judge the CRPC along with MacMillan.
    The event will be closed to the public, meaning there will be no ticket sales; instead, it will be filmed and broadcast via the web—bringing a grassroots feel to the world of silicone molds, mystery boxes, and plated desserts—all for the love of art, craft, and sugar.
  • First Annual Chicago Restaurant Pastry Competition Finalists

Wednesday, June 22, 2011

Flying Pans: Two Chefs, One World

Click here to read feature on StarChefs.com


Flying Pans: Two Chefs, One World

by Jessica Dukes
 Greg Bertolini
June 2011





Biographies

Chef Bernard Guillas
The Marine Room – La Jolla, CA
Chef Ron Oliver
The Marine Room – La Jolla, CA

Recipes

Sesame Peppered Ruby Red Ahi Tuna, Fennel Mango Salad, Avocado Fritter, and Hibiscus Essence
Chefs Bernard Guillas and Ron Oliver of The Marine Room – La Jolla, CA
Phuket Style Clam Hot Pot, Coconut Milk, and Red Curry
Chefs Bernard Guillas and Ron Oliver of The Marine Room – La Jolla, CA
Phuket Style Clam Hot Pot, Coconut Milk, and Red Curry from the cookbook Flying Pans
Two journal-keeping and journey-seasoned chefs penned, kitchen-tested, food-styled, and bound a voyage for the senses in Flying Pans: Two Chefs, One World—a collection of recipes and glimpses of life from their travels to over 40 ports of call. Executive Chef Bernard Guillas of La Jolla Beach and Tennis Club and The Marine Room in La Jolla, California, and his Chef de Cuisine of 12 years, Ron Oliver, maintained their busy work schedules during the book’s passage from bright idea to recent winner of two 2011 IACP Cookbook Awards (People's Choice Award and Best Chefs and Restaurant Cookbook)—all with the help of trusted friend and food photographer, Gregory Bertolini. The final product is an anthology of their favorite food moments and corresponding recipes from around the world, accompanied by a centerfold-worthy photograph of each dish. Through recipes and vivid impressions of culinary experiences in locales as diverse as Iceland, Vietnam, the Republic of Georgia, Bolivia, Hawaii, and Pennsylvania, Guillas and Oliver bring together far corners of the world, along with the kindred food spirits that inhabit and eat in them.

Interview

Jessica Dukes: What inspired you to write this book?
Bernard Guillas, Co-author of Flying Pans: Two Chefs, One World: Ron Oliver has been working with me for about 12 years. I was just coming back from Singapore; I was teaching over there. It was about 11pm at night, and Ron came into the office. He said, "Bernard, you’ve been traveling like crazy. Where all have you traveled?" And I had a calendar in my office, and we starting putting tags everywhere I had traveled, and it was about 50 countries. I said, "What about you?" He started putting tags in his calendar, and he had about 30 countries. We said, "Hey man, we should write a cookbook together," not knowing what it would take to write it.

JD: What did it end up taking to write it?
BG: Well to start, I run three restaurants, a private club, and a hotel. And Ron works and has two beautiful daughters. We’re both pretty busy. We decided to use a ghost writer, so we met with a friend of ours, gave our friend a page to pen a chapter, and he sat down with us and wrote the piece. When Ron and I sat together and read it, he said to me, "Hey man, you don’t talk like that! Well, here’s the deal; we’re gonna write the whole book." So we wrote the whole book. I kept a journal as a kid—we both did. I traveled a lot with my family; Ron did, too. So we put our journals together, and we wrote up the list, and developed a master list of our travels.

JD: How do you see your book being used?
BG: We have a lot of culinary students who approach the book—the new generation of students. They like to see what is beyond a recipe, which is culture. Having all the stories, they are able to travel with us, and it makes them want to learn about the culture and cuisine of that region.

JD: Do you have a favorite section in the book?
BG: I love all the recipes of course, but my favorite part of the book is the true identity of the two authors, who walk out there in the world. It is not only to be stuck in the same routine, doing the same thing, reading the same thing, viewing the same thing on television: it’s beyond that. I love the stories. I love the travel. And the book reads like a travelogue.

JD: What did you learn in creating this book?
BG: You have to be patient and really flexible with your recipes. This book is done not just for professionals, but for everyone who loves to cook at home. When we developed a recipe, we did the kitchen testing. After that, we did all the recipes in front of us; then we gave them to a culinary school, and they tested all the recipes. We got the best information from our friends. Our friends would be calling us [and saying] "Hey Bernard, how do we get lemon myrtle?" Oops! I realized that will be a little hard to get.

JD: How much were you involved in the photography?
BG: We did all the photography and food styling with Greg [Bertolini]. The thing that we learned, first of all, it is a very big commitment when you have a full-time job. Each shoot was 12 hours—and you are able to get only five pictures! It is unbelievably time consuming.

JD: What do you read for culinary inspiration?
BG: I have to tell you that I love to read all the old cookbooks—really old, like 150-year-old cookbooks, or even more than that, and the reason I like those is because it shows you that where we are today … they already had the technique. They didn’t have the technology, but they had the technique. Food is society. We connect with food; we connect with the ingredients. Twenty people from 20 different countries can sit down together but even if they don’t communicate or speak all the same language, they will connect with the food and connect with the anecdotes of the culture and of the food.

JD: Do you have any advice for a chef who’s thinking about writing a cookbook?
BG: Anybody who has a restaurant should. You have to have a plan. You have to put that cookbook into your marketing program; it’s gotta be in that budget. First of all, you will get a lot back from it, and the exposure is just amazing—but you have to find a really cool angle for it. If you are doing a cookbook that is going to be only for trade, it limits you a little bit. People say, "Well, this is a beautiful book but I cannot cook from it," and it becomes a coffee table book. Another thing that we decided was very important: we wanted just one picture per recipe, so you can see the recipe, you can see the picture, and it’s very enticing in that way. So it is part coffee table book, and part cookbook.
And of course, love what you do, as well. You share the love and that is the bottom line. If there would be more love and less war, we would all be very happy.

Thursday, June 16, 2011

Top Pairs: Indian Food Wine Pairings at NYC's Junoon



See the News & Media section of Chef Vikas Khanna's blog
This feature appears alongside Sam Sifton's review of the restaurant in The New York Times  : )



Top Pairs: Indian Food Wine Pairings at Manhattan's Junoon Restaurant

by Jessica Dukes with Will Blunt with photos by Shannon Sturgis 
Vol. 16
June 2011
An ice-cold bottle of Kingfisher Lager leaps into your head—because you’re familiar with the beer’s bready sweetness and punchy herbal hops, and because you’ve been asked, “what goes with both Madras curry and Rogan Josh?” In India, from the Kashmir to Kerala, proteins and vegetables typically cede center stage to sauces of varying density, curries, spice, and heat. And chilled malt and hops have long been the antidote to piquant aggression. But for the thinking person’s beverage director or sommelier, India’s kaleidoscope of spice combinations and variable heat spectrum begs for something more than a simple thirst-quencher.
The dryness and low alcohol content of a cold brew may be adept at soothing palates set ablaze by spice, but Master Sommelier and lecturer Scott Carney of Junoon in New York City wants to introduce guests to the illimitable nuances of wine and their power when paired with Indian food. With wine, he hopes “to give the food and its complexity more respect. Beer is the default beverage setting [for Indian cuisine.] But I think the food here warrants something more than that.”
Restaurant
Who
  • Sommelier Scott Carney
  • Long before Scott Carney came on as beverage director of Junoon, he was an integral player in the New York City wine scene, earning his Master Sommelier title while directing the beverage program atGotham Bar & Grill. Since Junoon's opening in December 2010, Carney has built the restaurant's wine list from scratch, assembling 250 labels to accompany Chef Vika Khanna’s cuisine. Carney's pairings harmonize wine with the complexities of Indian spices and sauces, and complement the wide array of cooking techniques found in Indian gastronomy. He has found that, unlike beer, wines can either amplify the heat in a dish or soothe the palate suffering from too much spice. Carney is inspired by the “excitement of sensory travel,” and invites diners “to pack curiosity and explore the sub-continent” through the interplay between its cuisine and the fruit of the vine.
Wine
2008 Esprit de Beaucastel Tablas Creek
Dish
Monkfish Tikka Tandoor: Hung Yogurt, Serrano Chilies, and Mustard Seed Puree
Pairing Note
Chef Vikas Khanna’s tandoor clay oven produces tender, meaty, monkfish with a deep, roasted flavor. The aromatic, creamy, and spicy sauce envelops the table, whose guests, Carney hopes, will avoid guzzling beer by rote. Carney selects a 2008 Beaucastel Blanc, with a rounded body and low acidity to pair with the dish. Its elegant honeysuckle and lemon nose, with some tropical fruit, thyme, and tarragon notes, neutralize some of the dish’s more assertive flavors. The Serrano chilies inspired Carney, when he first began building the wine list in December 2010, to play with diners’ expectations about heat through complementary and contrastive pairings. With the Beaucastel, a creamy texture bordering on coconut oil coats the mouth, and sidesteps the pepper’s capsaicinoid scorch. “Chili peppers are hot, and the logic is that with heat like that, wine with a viscous quality will retard the influence of alcohol and spice.” And the wine’s cool, wet-stone finish keeps pace with the lingering, potent flavors of the sauce.

+ Click dish photo to enlarge
Wine
2007 Grüner Veltliner Achleiten Prager
Dish
Nadru Kofte Handi: Kashmiri Lotus Root, Homemade Cheese, Red Bhutan Rice, Cashew Nuts, and Cardamom
Pairing Note
Khanna’s lotus root patties with potato and paneer cheese is a traditional and bold vegetarian dish from the Muslim-influenced northern Kashmiri region. And the accompanying nutty sauce of crushed almonds and cashews has a spicy bite, thanks to paprika. For the pairing, Carney considered differing goals for Eastern versus Western palates, and landed with both feet firmly in the Orient, where taste buds seek out extra heat. By wielding a wine with a higher level of acid, Carney succeeds in amplifying the flame—and the result is more eye-opening stimulation than wallop. This Veltliner from Austria is intense, with notes of guava and lime. It has a fistful of peppery spice, balance from a touch of sweetness and cream, and a staunch, enduring finish. Carney is proud of the complementary interplay between the wine and the dish. “Wines like the Grüner or a Sauvignon Blanc celebrate heat with their vibrant acidity. This is a famous old vineyard, with old vines. There is also a coolness to the wine because of its moderate alcohol; a dryness but a richness. It’s a very good combination.”

+ Click dish photo to enlarge
Wine
2008 Gevrey Chambertin Vieilles Vignes Fourrier
Dish
Duck Tellicherry Peppercorn Handi: Tellicherry Peppercorns, Garlic, Curry Leaves, and Tamarind
Pairing Note
For a French twist on Indian flavors Khanna combines tart tamarind with intense, almost fruity Tellicherry peppercorns from the Malabar Coast, curry leaves, and unctuous duck. “Pinot Noir is a classic complement to game,” says Carney. “Duck is traditionally served with a little bit of fruit, either a sauce or compote. There are notes of earth [in the Gevrey]—it is a terroir wine in that regard—and the restraint and balance of a high-quality wine.” The young Burgundy bursts with aromatics: strawberry, cherry, underbrush, bristly pine, and peppery spice. On the tongue it’s bright, acidic, and full of fruit. Carney’s missive with the pairing was to demonstrate to the diner that, “wine is like another sauce, of sorts, meant to season the food, not dominate it, and add value in net terms to the dining experience.”

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Wine
2001 Côte Rôtie Patrick Jasmin
Dish
Lamb Shank Handi: Braised with Onion, Tomato, Yogurt, and Junoon Seven Spice
Pairing Note
Lamb braised for hours in a traditional Northern Indian sauce awakens the romantic in Carney. “I love the idea that the lamb was slow-roasted and that the wine was aged—this wine is 10 years old. It still has power, but it has a maturity, as well.” The softened, leathery Syrah partners well with the slow-roasted meat. Delicate, deep flavors and spice in the wine align gracefully with the depth of flavor in the dish. Carney believes that splitting hairs over peppercorns, cumin, and cardamom, while attempting to locate each ingredient’s flavonoid touch-point, is a foolhardy exercise in missing the point. “The idea of the perfect pairing is a bit precious.” Instead, he hopes to alert tables to the possibilities that wine and the food can offer each other, especially in the context of an ancient cuisine that historically lacks the Western tradition of wine—for the diner, it’s a passage to adventure, either by the glass or bottle.

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